College co-eds struggle with the moral, societal and human aspects of romance.

Héloise lives a vibrant, independent life despite her advanced age and her deteriorating memory. When a shocking intrusion shakes up her reality, her adult children are left with a conundrum: how can you trust someone who can't trust themselves?

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

A young girl spends the summer as an intern at Lockheed, watching old stock footage of the moon. She decides she wants to let loose, so she goes to a party that will change her forever.

A look at the problems in industrial society in the light of economic factors.

This film provides a brief history of the fur trade in Canada, showing its effects on exploration and settlement. Engravings and paintings from the periods represented convey the romance, the adventures and the hardships of traders, Indigenous People and coureurs des bois. Animated maps indicate the old fur trade routes.

将《拆弹部队》（The Hurt Locker）与《难以忽视的真相》（An Inconvenient Truth）的元素相结合，《后果时代》（THE AGE OF CONSEQUENCES）从美国国家安全和全球稳定的视角，深入探究气候变化、资源短缺、人口迁移和冲突所带来的影响。无论是长期的潜在威胁，还是突发的危机冲击，这部影片剖析了水和食物短缺、极端天气、干旱以及海平面上升等因素如何加速……

Ten young people (boys and girls) at the age at which all is possible. They meet, they love, they choose. The film comes and goes between all those people, revealing their anguish, their dreams, depicting the portrait of a generation of the '90s which has both the fury and the fear of life.

审视一些有史以来最严重的社交媒体危机，以凸显网红文化的负面方面。

A vivid recollection of the free west of the North American Indigenous Peoples and the vast herds of buffalo that once thundered across the plains. From paintings of the mid-1800s, the animation camera creates a most convincing picture of the buffalo hunt, both as the Indigenous People and, disastrously, the white hunters practiced it.